1, Abreu, Christina D. Rhythms of Race: Cuban Musicians and the Making of Latino New York City and Miami, 1940-1960. The University of North Carolina Press, (2015). 2, FERNÁNDEZ, RAÚL A. “The Course of U.S. Cuban Music: Margin and Mainstream.” Cuban Studies, vol. 24, 1994, pp. 105–122. JSTOR, www.jstor.org/stable/24485772. 3, Gil, Sonia. “The Origins of Cuban Music and its Cultural and Spiritual Importance Within the Cuban Diaspora Community.” Inquiries Journal/Student Pulse 7.10 (2015). 4, WARDEN, NOLAN. “CROSSING DIASPORA’S BORDERS: MUSICAL ROOTS EXPERIENCES AND THE EURO-AMERICAN PRESENCE IN AFRO-CUBAN RELIGIOUS MUSIC.” African Music, vol. 8, no. 4, 2010, pp. 101–109. JSTOR, www.jstor.org/stable/23319453. 5, WHITMORE, ALEYSIA K. “‘CUBAN MUSIC IS AFRICAN MUSIC’: NEGOTIATING AFRICA AND THE AFRICAN DIASPORA ON THE WORLD MUSIC STAGE.” African Music, vol. 9, no. 3, 2013, pp. 111–121., www.jstor.org/stable/24877317 6, Shain, Richard M. “Trovador of the Black Atlantic: Laba Sosseh and the Africanization of Afro- Cuban Music.” Music and Globalization: Critical Encounters, edited by Bob W. White, Indiana University Press, 2012, pp. 135–156. JSTOR, www.jstor.org/stable/j.ctt16gzm34.11 These are the source you have to use to write the research paper
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